|
ATINER |
Athens Institute for Education and
Research |
Home PageØPublicationsØPaper Subjects Ø Visual
and Performing Arts Papers
|
Visual and Performing Arts paper series (Note: This list includes papers which have been presented at our Annual
International Conferences on Visual and Performing Arts, as well as at other
Conferences, which have been organised by ATINER, and which are related to
Visual and Performing Arts. This list was first drawn up in 2012). |
ATINER’s Visual and Performing Arts Paper
Series is indexed in Google Scholar.
|
|
No |
Paper Series
Number |
Title |
Authors |
Download |
|
117 |
1512 |
ART2015-1512 |
Field Theory
in the Neoliberal Cultural Industries |
David Brittain |
|
|
116 |
1492 |
ART2015-1492 |
Realigning
Vertical Dance on a Horizontal Continuum |
Danielle K.
Garrison |
|
|
115 |
1491 |
ART2015-1491 |
Theatrical Storytelling from Page to
Stage: An Applied Study in Writing and Performing
Techniques |
Gamal El-Sayed Hussein Mohamed Yakout |
|
|
114 |
1490 |
ART2015-1490 |
The Company
Choir in Brazil – An Entrepreneurial Case Study |
William DiCosimo |
|
|
113 |
1489 |
ART2015-1489 |
Why Do
Performing Arts Need Deleuze and Guattari? A Methodological Inquiry |
Christina Banalopoulou |
|
|
112 |
1486 |
ART2015-1486 |
Jean
Philippe-Rameau and the Corps Sonore |
B. Glenn
Chandler |
|
|
111 |
1484 |
ART2015-1484 |
The Lure of
Wonder: The Miraculous in Popular Visual Culture Past and Present |
Paul Duncum |
|
|
110 |
1483 |
ART2015-1483 |
Connoisseurship,
the Arts and Leadership: Portrait of the Development of the Artistic
Discerning Eye |
Fenwick W.
English and Lisa C. Ehrich |
|
|
109 |
1481 |
ART2015-1481 |
The Arts as
Portals for Understanding “The Other” |
Barbara
Pemberton |
|
|
108 |
1480 |
ART2015-1480 |
Creativity:
The Myth and the Role of Research in Creative Work |
Hank Hehmsoth |
|
|
107 |
1479 |
ART2015-1479 |
The Play’s
the Thing: A Multi-text Approach to Acting Shakespeare |
Laura Wayth |
|
|
106 |
1476 |
ART2015-1476 |
Ancient Greek
Themes in Modern Hispanic Theatre |
Nancy Lee
Ruyter |
|
|
105 |
1463 |
MDT2015-1463 |
Research and Education in Classical Greek
Art History in Korea: Present
State, Obstacles, and Suggestions |
Hyejin Kim |
|
|
104 |
1424 |
MDT2015-1424 |
Mediterranean
Mountains in the Mythological Paintings of European Art |
Sibel Almelek
İşman |
|
|
103 |
1412 |
HUM2015-1412 |
Music
and Dance Representations at the Crossroads of Humanities and Sciences |
Luiz Naveda |
|
|
102 |
1404 |
HUM2015-1404 |
The
Change in the Political Message of Pink Floyd’s / Roger Waters’ The Wall from
the Album to the Film to the Live Shows in the Dawn of the 80’s via the Wall
in Berlin in 1990 to the Live Shows of 2010-2013 |
Vesa-Matti Sarenius |
|
|
101 |
1403 |
MDT2015-1403 |
Music and
Society in Cyprus: British Colonialism and the Emergence of European Music
Traditions |
Anastasia
Hasikou |
|
|
100 |
1387 |
ART2014-1387 |
Magic
Reality: Grant Wood’s 1930s Works |
Viviana Bucarelli |
|
|
99 |
1384 |
HUM2015-1384 |
The Dilemma of the
Artist in Contemporary British Theatre: A Theoretical Background |
Majeed Mohammed Midhin
and Clare Finburgh |
|
|
98 |
1381 |
ART2014-1381 |
Teaching Contemporary
Art in Primary Schools |
Chor Leng Twardzik Ching |
|
|
97 |
1378 |
ART2014-1378 |
The Street as Art’s
Memory Place |
Lütfiye Bozdag |
|
|
96 |
1370 |
ARC2014-1370 |
Narrative and the
Substance of Architectural Spaces: The Design of Memorial Architecture as an Example |
Ching-Pin Tseng |
|
|
95 |
1368 |
HUM2015-1368 |
Playing With ‘Others’:
Strategies in Intercultural Performance |
Declan Patrick |
|
|
94 |
1365 |
HUM2015-1365 |
The Changing Face of
Violence in Painting: 19th-20th Centuries |
Zuhre Indirkas |
|
|
93 |
1303 |
ART2014-1303 |
Global Jazz: Pushing its Boundaries with
Harmonic, Metric, and Instrumental Devices |
Hank Hehmsoth |
|
|
92 |
1300 |
ART2014-1300 |
Malaysian Traditional Healing Performance
Practices: Issues and Challenges |
Nurul Farhana Low
Abdullah, Solehah Ishak and Mohd Kipli Abdul Rahman |
|
|
91 |
1222 |
ARC2014-1222 |
007 and Contemporary
Sacral Architecture |
Riitta Niskanen |
|
|
90 |
1186 |
LIB2014-1186 |
Engaging
Gen Z through Service Innovations in an Arts School Library |
Soo Chin Foo |
|
|
89 |
1085 |
ARC2014-1085 |
Searching of the Concept on the 21st
Century Architecture |
Zafer Sagdic |
|
|
88 |
1183 |
ARC2014-1183 |
Endogenous
Spatiality in Architecture and Art: Blurred Boundaries since the First
Artistic and Architectonic Vanguards of the Twentieth Century to Contemporaneity |
Gabriela Raposo |
|
|
87 |
1169 |
EDU2014-1169 |
The
Real Life Experience of Visual Art in Czech Extracurricular and Cocurricular Education |
Zuzana Pechova |
|
|
86 |
1168 |
HIS2014-1168 |
Mobility of Artists and Employment Policy in Classical Antiquity |
Margit Linder |
|
|
85 |
1151 |
ART2014-1151 |
Returning to Water:
Understanding Place as Cultural Lens |
Diana Hoover |
|
|
84 |
1149 |
ART2014-1149 |
Metatheatre in Aeschylus’ Oresteia |
Robert L. Smith |
|
|
83 |
1146 |
ART2014-1146 |
Art and Cultural Practices: Environmental Dilemmas and Difala Vessels Production in Capricorn District
Municipality, Limpopo Province |
Mathodi Freddie Motsamayi |
|
|
82 |
1135 |
ART2014-1135 |
Field of Art in
Indian Art Theory |
Barbara Banasik |
|
|
81 |
1100 |
ART2014-1100 |
The Hidden Appeal. Anthropomorphic, Biomorphic and Narrative Aspects of Visual
Perception in Spatial Arts, Architecture & Design |
Michael Heinrich |
|
|
80 |
1098 |
ART2014-1098 |
Savage Gardens,
Original Sins: An Anarcho-Primitivist Reading of
Wagner’s Parsifal |
Lisa Burnett |
|
|
79 |
1097 |
ART2014-1097 |
Archetypal
Congruencies between Number and Mysticism found in the sacred Εlectro-acoustic Μusic of Charon’s Pantheon |
Jennifer Logan |
|
|
78 |
1094 |
ARC2014-1094 |
Stupa, Pagoda and Chorten
– Origin and Meaning of Buddhist Architecture |
Wah Sang Wong |
|
|
77 |
1087 |
ARC2014-1087 |
Graphic Representation and Military
Architecture: The Trace of the Fuenterrabía
Fortifications in the Current City |
Victor Echarri Iribarren, Roberto Tomas Yanez Pacios, Angel Benigno Gonzalez
Aviles and Maria Isabel Perez Millan |
|
|
76 |
1086 |
ART2014-1086 |
Disappearing the
American Dream…Fire Sales and Emergency Managers in the Heartland |
Julie Johnson |
|
|
75 |
1051 |
ART2014-1051 |
From Page to Stage:
Creating Original Theatre in Kuwait |
Kathleen Downs and
Kendall Downs |
|
|
74 |
1050 |
ART2014-1050 |
Penelope’s Odyssey: Film
Form as Meaning |
Andrea Eis |
|
|
73 |
1047 |
ART2014-1047 |
Environment as
Learning Instructors |
Mohammad Ali |
|
|
72 |
1046 |
ART2014-1046 |
Fail again. Fail
better.” Failure in the Creative Process |
Sarah Cole |
|
|
71 |
1012 |
ART2014-1012 |
Art Process with At-risk
and Underprivileged Children and Youth: A Reflexive Overview of a Short-Term
and a Long-Term Out-of-School Programme in Canada and Singapore |
Vincent Twardzik Ching |
|
|
70 |
994 |
ART2014-0994 |
The Impermanence of
Art and Beauty |
Laura Osterweis |
|
|
69 |
992 |
ART2014-0992 |
Beuys, Hardt and Negri: One World
‒ One Consciousness |
Alexandria Pierce |
|
|
68 |
985 |
ART2014-0985 |
Traditional Crafts
Communities in the Amazon, Designers and Art Educators |
Ana Mae Tavares Bastos Barbosa |
|
|
67 |
910 |
EDU2014-0910 |
Curriculum of Visual Arts on Basic Education: Classrooms’ Everyday Life
and Teachers’ Formation |
Aldo Victorio Filho and Inês Barbosa de Oliveira |
|
|
66 |
897 |
HUM2014-0897 |
Reformulating the Homeric Question: The Point of
View of the Poems' Reception in Visual Arts and Literature |
Celina
Figueiredo Lage |
|
|
65 |
895 |
HUM2013-0895 |
The Impact and Influence of Carroll's World of
Alice on Video Game Design |
Marcello
Arnaldo Picucci |
|
|
64 |
868 |
ART2013-0868 |
Postmodern Performances of Ancient Greek Tragedy
(Aeschylus’ Oresteia and Euripides’ Electra) |
Małgorzata
Budzowska |
|
|
63 |
830 |
LIT2013-0830 |
The Western Model of 'Ienăchiţă’s
Song' |
Gabriela E. Dima |
|
|
62 |
814 |
HUM2014-0814 |
Iconic
Bodies/Exotic Pinups: The Mystique of Rita Hayworth and Zarah
Leander |
Galina
Bakhtiarova |
|
|
61 |
813 |
HUM2014-0813 |
A
Digital Image, as a Holistic Mediator, of the Barbed Relooking of the Urban
Landscape (Tunis, 2013) |
Natacha Drobnjak Touati |
|
|
60 |
797 |
EDU2013-0797 |
Volunteering
in Non-Formal Art based Education for Adults: View Point of the Trainer |
Lina
Miliūnienė |
|
|
59 |
777 |
ART2013-0777 |
A
Double-Sided Drawing by Thomas Eakins of an Antique Cast and a Male Model |
Frances
Van Keuren and Kristen Miller Zohn |
|
|
58 |
776 |
ART2013-0776 |
White
Mythology White Paintings |
Mehrdad Hadighi |
|
|
57 |
756 |
ARC2013-0756 |
The Comparison of the Space usage in Turkish Cinema from Past to
Nowadays |
Serpil Ozker and Elif Suyuk Makakli |
|
|
56 |
748 |
ART2013-0748 |
The
Preacher and the Actor: Bach, Handel and the “Passionate” Listener |
Gerald Neufeld |
|
|
55 |
731 |
ARC2013-0731 |
Interdisciplinary
Perspectives in Architectural Research: A Dialogue with Music |
Clara
Germana Gonçalves |
|
|
54 |
729 |
ARC2013-0729 |
The
Architecture of the Ancient Caunus City Theatre |
Yasemen Say Özer and Nevzat
Oğuz Özer |
|
|
53 |
696 |
ART2013-0696 |
Is
Criticism Really Dead? |
Firat
Arapoğlu |
|
|
52 |
636 |
ART2013-0636 |
The Movements of Environmental Fıber Art and
Three-Dimensıonal Sculptural Textiles |
N.
Rengin Oyman |
|
|
51 |
633 |
ART2013-0633 |
Studying Fashion with New
Method: Intervestimentality |
Safiye Sari |
|
|
50 |
585 |
ART2013-0585 |
The Architectural Analysis of Tabernacle and
Temples |
Bengi
Su Ertürkmen |
|
|
49 |
584 |
ART2013-0584 |
The State Theatres in Turkey: Analyses on
Valuation and the Management Model |
Yesim
Tonga |
|
|
48 |
583 |
ART2013-0583 |
Re-Presenting Architectural Space in Terms of the
Literal Existence of Linear Perspective: “Perspectiv-Ated
Spaces” in the Case of Middle East Technical University (METU) Faculty of
Architecture Building |
Bilge
Beril Kapusuz |
|
|
47 |
495 |
ART2013-0495 |
(Non)-Discursive
Space of the Body: In-between Discipline and Play |
Aline
Veiga Loureiro and
Kathleen Coessens |
|
|
46 |
462 |
EDU2013-0462 |
Theatre in Education, Democracy and Greek National
Celebration Performances |
Aspasia
Simpsi |
|
|
45 |
453 |
ART2013-0453 |
iPads
in the Visual and Performing Arts |
Scott
Fisk |
|
|
44 |
452 |
ART2013-0452 |
Jekyll
and Hyde in the Middle East |
Kathleen
R. Downs |
|
|
43 |
451 |
ART2013-0451 |
Introducing
‘Re-coupling’: The Compositional Appropriation
of Instrumental Physicality to disrupt Pattern-based Musical Materials |
Matthew
Sergeant |
|
|
42 |
450 |
ART2013-0450 |
The
Instrument as a Roughened Canvas: Embracing Timbral
Indeterminacy in Composition and Performance |
Emma
Lloyd and Matthew Sergeant |
|
|
41 |
449 |
ART2013-0449 |
Homiletics:
The Art of preaching in a Post-modern, Post-Apartheid, Post-colonialism South
Africa |
Mias
van Jaarsveld |
|
|
40 |
448 |
ART2013-0448 |
Self-Representation
in Upper Paleolithic Female Figurines Examined
Through Contemporary Applied Studio Practice |
LeRoy
McDermott and Melanie Johnson |
|
|
39 |
447 |
ART2013-0447 |
The JUSTICE Project: The Ideology of Social Shifting Through
Physical Engagement, Collaboration and Authentic Performance |
Darla
Johnson and Nicole Wesley |
|
|
38 |
446 |
ART2013-0446 |
Assessment
towards Innovation: Examining Feedback Methods in the Design Studio |
Lisa
Phillips |
|
|
37 |
445 |
ART2013-0445 |
Through Hard Rain: The Most Controversial Battle of WWII and
its Representation in the Magazines of the Time |
Viviana Bucarelli |
|
|
36 |
444 |
ART2013-0444 |
Puccini’s
Women |
Michael
M. Eisman |
|
|
35 |
419 |
ART2013-0419 |
Interdisciplinary
Collaboration in the University Arts Department |
Ariel
Baron-Robbins |
|
|
34 |
415 |
ART2013-0415 |
Ai
Weiwei’s Furniture-Sculpture and Duchamp’s Irony |
Owen
Duffy |
|
|
33 |
256 |
ART2012-0256 |
The
Virtual Theater of Belief and Events: On Remnants
of Beings in Yao, Jui-Chung’s Photographic Collection,
Beyond Humanity |
Emily Shu-hui Tsai |
|
|
32 |
255 |
ART2012-0255 |
The
Breadth of the Source-Code Becomes the Brush of the Artist |
Terry Trickett |
|
|
31 |
219 |
ART2012-0219 |
Roberto
Rossellini’s Compassion as Social Evaluation |
Simonetta Milli Konewko |
|
|
30 |
216 |
ART2012-0216 |
The
Body in John Cassavete’s Filmmaking and its
Consideration for the Performance |
Rodrigo Desider Fischer |
|
|
29 |
213 |
ART2012-0213 |
Google
Street View; A Way to Contemporary Art Making |
Anastasia Zoi Souliotou |
|
|
28 |
211 |
ART2012-0211 |
Think
Wrong: Ideational Strategies for a Wired World |
Louis Baker |
|
|
27 |
209 |
ART2012-0209 |
The Use of Karagoz Shadow Theatre as a Way of Teaching Traditional
Turkish Theatre in Performing Arts Training |
Erol Ipekli |
|
|
26 |
205 |
ART2012-0205 |
Actual
Connections in a Virtual World: Social Capital of Eric Whitacre’s
Virtual Choir |
Mark
Konewko |
|
|
25 |
204 |
ART2012-0204 |
Imitation,
Inversion, and Identity in Kimiko Yoshida’s New
Photographic Series |
Cynthia
Bland |
|
|
24 |
201 |
ART2012-0201 |
Transcending
Mortality |
Huiting Pan |
|
|
23 |
199 |
ART2012-0199 |
The
Austrian Artist Maria Biljan-Bilger (1912-1997). On
the 100th Anniversary of her Birth, 21st January 1912 |
Alice Reininger |
|
|
22 |
187 |
ART2012-0187 |
Teaching
Dance as a Means of Intercultural Reconciliation: Devising Harambe |
Masedi Godfrey Manenye |
|
|
21 |
179 |
ART2012-0179 |
Playing
Right – from the End. Basics and Application of Retro Sequential Practice
(RSP) |
Frank
Liebscher |
|
|
20 |
173 |
ART2012-0173 |
Virtual
Reconsecration of the Levelled Churchyard |
Diony
Kypraiou |
|
|
19 |
172 |
ART2012-0172 |
Etheatre Project: The Director as Researcher |
Christina
Papagiannouli |
|
|
18 |
140 |
ART2012-0140 |
A Strindbergian Foray
into Ancient Greece: Hermione and Hellas |
Christopher
Joseph Mitchell |
|
|
17 |
105 |
ART2012-0105 |
Conceptual Approaches in Contemporary Ceramic Art |
Gokce Ozer |
|
|
16 |
99 |
ART2012-0099 |
Dion Arivas’s Attikos’s Song Cycle Asmata:
Greek Poetry and Music in the Service of New Singers |
Georgia Katsiroumpa |
|
|
15 |
92 |
ART2012-0092 |
Reflexive Capacity Building:
Visual Art Education as a Culture of Thinking and Learning |
Delane Ingalls Vanada |
|
|
14 |
87 |
ART2012-0087 |
The Conservator as a Performer |
Rita Macedo, Andreia Nogueira
and Hélia Marçal |
|
|
13 |
86 |
ART2012-0086 |
Cosmography: A Hypothesis on the
Origin of Alphabet |
Gilah Yelin Hirsch |
|
|
12 |
83 |
ART2012-0083 |
Art and Artists of a Sacred Town |
Bijoy Kumar Dutta |
|
|
11 |
80 |
ART2012-0080 |
How Can
Dramatic Expression Promote Mental Health? The Use of Drama Therapy in Post-Traumatic
Stress Disorder: Insights from Neuroscience |
Lígia Batista |
|
|
10 |
78 |
MED2012-0078 |
Supply Chain Music Industry and
Changing Business Models in Italy |
Antonella Ardizzone |
|
|
9 |
77 |
ART2012-0077 |
Culture, Society and Politics
interpreted through a Designer’s Bilingual Filter. The City of Ethnos: My
Filter |
Alma Hoffmann |
|
|
8 |
76 |
ART2012-0076 |
Social Networking and Affinity
Spaces - The Virtual Atelier |
Jon Pengelly
and Paul Thompson |
|
|
7 |
75 |
MDT2012-0075 |
Putting Istanbul on the Map of
Art World: Analysing Istanbul 2010 Cultural Capital of Europe |
Şeyda Barlas Bozkus |
|
|
6 |
73 |
MDT2012-0073 |
Italian Influence in the
Composition of Rubens’ Early Self-Portraits with Friends |
Mika
Yamaguchi |
|
|
5 |
72 |
ART2012-0072 |
Creative Activism as a Resolution
of the Problem of Political Art as Art |
Christopher Jury |
|
|
4 |
70 |
ART2012-0070 |
Speech Song: The Value of Using
Foreign Language in Theatrical Production |
Melanie Dreyer-Lude |
|
|
3 |
65 |
ART2012-0065 |
The ‘Void Spaces’ in (between)
Cinema |
Nawel Sebih |
|
|
2 |
64 |
MED2012-0064 |
The Relationship between Cinema
and Semiotics |
Rengin Ozan |
|
|
1 |
60 |
MED2012-0060 |
A Brief Analysis of Today’s
Turkish Cinema Industry |
Okan Ormanlı |